Comments on: Other Worlds in Film – Avatar and Pandora http://edc11.education.ed.ac.uk/austint/2011/09/27/other-worlds-in-film-avatar-and-pandora/ MSc in E-learning at the University of Edinburgh Mon, 28 Nov 2011 18:02:03 +0000 hourly 1 http://wordpress.org/?v=3.1.1 By: Jen Ross http://edc11.education.ed.ac.uk/austint/2011/09/27/other-worlds-in-film-avatar-and-pandora/#comment-15 Jen Ross Thu, 29 Sep 2011 12:49:30 +0000 http://edc11.education.ed.ac.uk/austint/?p=1922#comment-15 I'm reading John Barnes' collection "Apostrophes and Apocalypses", and am in the middle of an essay called "How to Build a Future", which explains the author's process of statistically modelling various aspects of a science fictional future world. The detail and the method is fascinating. I’m reading John Barnes’ collection “Apostrophes and Apocalypses”, and am in the middle of an essay called “How to Build a Future”, which explains the author’s process of statistically modelling various aspects of a science fictional future world. The detail and the method is fascinating.

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By: Austin Tate http://edc11.education.ed.ac.uk/austint/2011/09/27/other-worlds-in-film-avatar-and-pandora/#comment-12 Austin Tate Wed, 28 Sep 2011 18:45:30 +0000 http://edc11.education.ed.ac.uk/austint/?p=1922#comment-12 Oh no Jeremy... the bio luminescence is MUCH more important in the ecology and even the mythology of Pandora than that. See the scenes where the humans are transfered by the power of the community and Ewya(the spirit of Pandora) to a live Na'vi form. I have participated in such a ceremony... and it take immense effort. http://james-camerons-avatar.wikia.com/wiki/Bioluminescence Oh no Jeremy… the bio luminescence is MUCH more important in the ecology and even the mythology of Pandora than that. See the scenes where the humans are transfered by the power of the community and Ewya(the spirit of Pandora) to a live Na’vi form. I have participated in such a ceremony… and it take immense effort.

http://james-camerons-avatar.wikia.com/wiki/Bioluminescence

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By: Jeremy Keith Knox http://edc11.education.ed.ac.uk/austint/2011/09/27/other-worlds-in-film-avatar-and-pandora/#comment-11 Jeremy Keith Knox Wed, 28 Sep 2011 18:03:58 +0000 http://edc11.education.ed.ac.uk/austint/?p=1922#comment-11 Hi Austin, I was fascinated by the Avatar clip here, and thought that this description of 'Pandora' was a really interesting way to think about 'digital spaces', thanks. The world of Pandora seems to be described in distinctly humanist and romanticist terms, and I wondered how this relates to perceptions of, or desires for, 'good, or 'ideal' virtual spaces. I was rather amazed at the whole description of the 'bio-luminescent qualities', that 'set the night aglow', and this seemed to frame Avatars sense of 'nature' in terms of very human-centric, aesthetic qualities. Do these coloured lights serve no other purpose than the entertainment of those creatures who happen to have suitable optical faculties? Perhaps the full film explains more. The whole sense of 'nature' portrayed here is truly riveting, and the notions of 'nervous systems' and 'symbiotic relationships' seemed to suggest notions of harmony, equilibrium, and homoeostasis that I thought were rather old fashioned in ecology studies. So, I wonder, does this view of idealised nature filter through into attitudes and desires for virtual spaces? Do 'we' think that digital spaces are capable of providing harmonious, ideal environments, where such things as conflict, selfishness and dissent are absent? A fascinating topic Austin, and you have inspired me to look up further critical writing on Avatar, thanks! Hi Austin,

I was fascinated by the Avatar clip here, and thought that this description of ‘Pandora’ was a really interesting way to think about ‘digital spaces’, thanks. The world of Pandora seems to be described in distinctly humanist and romanticist terms, and I wondered how this relates to perceptions of, or desires for, ‘good, or ‘ideal’ virtual spaces.

I was rather amazed at the whole description of the ‘bio-luminescent qualities’, that ‘set the night aglow’, and this seemed to frame Avatars sense of ‘nature’ in terms of very human-centric, aesthetic qualities. Do these coloured lights serve no other purpose than the entertainment of those creatures who happen to have suitable optical faculties? Perhaps the full film explains more. The whole sense of ‘nature’ portrayed here is truly riveting, and the notions of ‘nervous systems’ and ‘symbiotic relationships’ seemed to suggest notions of harmony, equilibrium, and homoeostasis that I thought were rather old fashioned in ecology studies. So, I wonder, does this view of idealised nature filter through into attitudes and desires for virtual spaces? Do ‘we’ think that digital spaces are capable of providing harmonious, ideal environments, where such things as conflict, selfishness and dissent are absent? A fascinating topic Austin, and you have inspired me to look up further critical writing on Avatar, thanks!

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