Week 11 Summary

To look at my lifestream this week it would appear that no work occurred this week. However, quite the opposite is true. In preparation for the final assignment I have been looking back over my previous end of block tasks and the subsequent comments. Some posts provide a useful reference to literature that has been identified as being relevant to the work I have produced. This seemed a logical way of deciding the focus for my assignment as the contents of the tasks has been self motivated and therefore the subsequent recommended readings are general found to be of personal interest. These comments have certainly helped develop my understanding and spurred on some critical thinking that I hope to carry over into the assignment.

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Week 10 Summary

Much of week 10 was been spent understanding the first half of this block. By moving onto pedagogy I have found some clarity on the previous readings and been able to construct a blog for the posthuman/cyborg readings. After spending considerable time on Prezi and Slides/U-Tube presentations in previous weeks I decided a blog (with hyperlinks) would be appropriate for presenting my pedagogy within the timeframe. I was happy with the outcome and have received useful and interest comments. This has been one of my more enjoyable sections of work as I realise I have a particular interest in pedagogy and inherently find myself looking at e-learning as a method with which to become more familiar…something I am reading around in view of the final assignment.
Now at week 11, I am more comfortable with the format of the course and find myself not needing to make such a conscious effort to use blogs and the likes of delicious and StumbleUpon as they have become part of my routine when looking for wider reading and storing artefacts. My newly acquired familiarity with such sites has most probably contributed to taking some of the ‘stressful effort’ out of studying and allowed me to consider the content in more depth. I have even started using these sites for other courses and browsing personal interests. With the little remaining time left to the structured part of this course I hope to use Holyrood Park Hub some more as this is an area that I can see will help me develop ideas for the assignment AND become more comfortable with sharing ideas in a virtual community.

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Haraway and the Cyborg Manifesto

“(Cyborg) is not made of mud and cannot dream of returning to dust.” (Haraway, 2007)

I had such a hard time reading the piece by Haraway, as even the title itself and its reference to socialist-feminism tainted my attitude towards it.  I continued, but lines such as “Star Wars apocalypse,” “masculinist orgy of war,” “evil mother of masculinist fear” did nothing for my openness towards the writing.  I found the writing to be too focused on women and feminist attitudes, reflected in such lines as “many women’s lives have been structured around employment in electronics-dependent jobs, and their intimate realities include serial heterosexual monogamy, negotiating childcare, distance from extended kin or most other forms of traditional vulnerability as they age.”  Is this not a problem in modern society for everyone?  If feminism is equality for women, then women must take the good with the bad.  Men’s lives have always been structured around employment, but is that really how men want to lead their lives?  It is not a culturally accepted choice for a man to be anything but gainfully employed with life structured around work.


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“The cyborg is a kind of disassembled and reassembled postmodern collective and personal self.” (Haraway, 2007)

I wonder what Haraway thinks about the Borg (introduced in the Star Trek: Next Generation (Q Who, 1996), and Voyager TV series) and subsequently the Borg Queen (introduced in the 1996 film, Star Trek: First Contact)?  She originally wrote the Cyborg Manifesto in 1985, and has since presumably updated it for republication in 2007.  Would she consider the Borg, pre – First Contact as better or worse than the Borg once the Queen had been introduced?  In other words, when the Borg were a collective consciousness without any type of visible command structure, were they ‘better cyborgs’ than after the introduction of the queen?  The queen brings “order to chaos” and is implied as being the avatar for the entire collective… the voice of it. (wikipedia)  The threat of the Borg is to deny individuality and assimilate all into their collective.  Are the Borg cyborgs then?  If as Haraway states in the above quote a cyborg is a combination of collective and personal self, then surely they cannot be.  But then is the Borg Queen, as the only unique member of the Borg, a cyborg as she refers to herself as “I” several times in the film? “I am the beginning… the end… the one who was many… I am the Borg”


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“Why should our bodies end at the skin, or include at best other beings encapsulated by skin?” (Haraway, 2007)

As soon as I read the line I flashed back to the World Builder video of Week 2 of the course.  The woman’s body, perhaps damaged in some way, is being fed images by the machine… or perhaps her mind is feeding the images to it… in either case, she is connected to it.  The man, having created the environment has a glimpse into her memory, perhaps into her consciousness… he is accessing her through the machine.  Is she a cyborg… connected to the machine to share consciousness and experience?  Is she a combination of the collective and personal self?  Where does she begin and the machine end?  Does her implied medical condition mean that she can no longer be interacted with without the aid of the machine?  Does her personal self then cease to exist outside of the machine environment, or has the machine assimilated it into the collective?

 

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Lifestream Week 11

On my research project related to supporting the OpenVCE communities I was engaged in setting up a new group portal on the APAN (All Partners Access Network) hosted by the US Government for non-classified work between government agencies, NGOs, organisation and individuals across the world. This replaces the previous HarmonieWeb portal. the APAN network uses the Telligent Collaboration framework to provide the usual blogs, discussion forums, wikis, group chat, etc. And then provides an Adobe Connect service attached to that for the supported communities. We provide “web observer” meeting access to virtual words meeting spaces via Adobe Connect services through these portals. I was involved in a number of training programmes and setup exercises which led to a range of events in the Lifestream as I took on the group owner role on APAN.

I did some further experimentation with the Unity3D platform, and used a Collada mesh translation of the OpenVCE OpenSim region buildings created via a converter service from Tipodean technologies in the USA. We are further experimenting also with the OpenSim-based MOSES grid hosted by the US Government also for work with non-government agencies internationally.

We believe that a combination of the APAN OpenVCE Group for a community web portal and a simplified meeting space in either the OpenSim-based MOSES grid or on a Unity3D setup might offer a long term stable basis for continuing work in the OpenVCE.net community. Currently a Drupal server at Edinburgh is used for the community web portal, and the virtual words service is hosted on the VCE region in Second Life.

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Eco bugs as post human pedagogy


I have chosen the Future Lab demonstration of Eco Bugs as my example of a post human pedagogy.

The Eco Bugs ‘game’ may be viewed as a post human ‘gathering’ (Edwards, 2010) of children, game designers, the natural environment and a virtual environment which overlays the real environment but is connected to it through virtual creatures – the Ecobugs.

The intention is to preserve the virtual bug species. The boundary between the game environment and the real environment is blurred as the virtual bugs are affected by aspects of the real environment and vice versa. The children act on/with the virtual bugs to achieve a environmentally worthy outcome. As such the children are encouraged to undertake ‘responsible experimentation as a way of enacting an educational purpose’ (Edwards, 2010). In this entanglement of the human and the non-human the distinction between subject and object is blurred as each is affected by the other in subtle ways. The children learn through a number of hybridised relationships with each other, the virtual bugs and their shared real/virtual environment. Arguable the non-human elements of the game are also learning and adapting to the actions of the human and other non-human elements. Things arise as ‘matters of concern’ (Edwards, 2010) for the children, for example the issue of the litter in the school grounds. Together the gathering of the human and the non-human elements cause a symbiotic change in their shared environment.

The game story may be seen as a ‘fabulation’ – a ‘fiction that offers us a world clearly and radically discontinuous from the one we know, yet returns to confront that known world in some cognitive way’ (Scholes, 1976 cited in Gough, 2004).

Another interesting link with the post human is that the game itself is centered on an environmental theme which it seeks to illuminate in a holistic way, emphasising the inter-dependencies of the biological and the cultural.

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I, PI, … Eye

I, PI ... Eye

I have been working on my Digital Cultures course final project for a couple of weeks now. It is a study of Identity, Avatar and On-line Identity, Community Identity and the use of an Analytical Eye over these topics.

http://atate.org/ai/pi/

I would welcome feedback from anyone who has a look at the artifact in its current state. I am still working on elements of it.

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Week 10: Full circle.

One of the things I’ve liked about the Lifestream has been the way that links have become apparent between weekly or two-weekly topics because some feeds that I have subscribed to, with one topic in mind, have provided interesting insights into later topics. This week newwaysofinteraction dumped about 6 feeds into my Lifestream and I followed the links to find a ‘different’ site than I had originally considered it. I subscribed to newwaysofinteraction when we were looking at visual artefacts and digital literacies as it had a lot of really interesting exhibits, films etc. I think, in fact, it was perhaps Daniel that pointed me towards it. This week on looking back I see that it has great resonance for our consideration over the last few weeks of the posthuman. The site advertises itself as:

A collection of projects about newer ways of human and physical interaction, hosted by Jens Franke.

It features interactive installations and systems with a strong focus on technologies such as multi touch, tangible and gestural interfaces, augmented reality and physical computing.

As my Lifestream has developed I’ve been trying to work out if it is an active creation, a by-product of my following interests of the course or something entirely random. I think the case lies in all three, but the interesting thing is that, probably because of the structure of the course, often connectivity is only obvious in retrospect.

As well as coming full circle with the feeds, my thinking has constantly been coming back to the political aspects of digital culture, from Hand’s musings on the utopian/dystopian uses/misuses of the internet and social networking, through the, often, political communities of the ethnographies produced and onto Harraways’ politicised cyborg. Thus, I have decided to write on digital culture, politics and e-learning for my assignment and have spent some of the last few weeks’ lifestream entries looking at examples of political usage of the internet, through to the Occupy movements use of the internet and, in particular, social networking to not only organise but to advertise and educate. I’ve also been looking at where HE currently sits in the political landscape, with much being said on how it currently too often fulfils governmental needs rather than questioning them. And, on from there, I’ve been thinking about how e-learning might engage politically by looking at ideas such as edupunk. The following is a mindmap plan (click on it and it’ll become clearer) of what I might hope to cover in my assignment, and comments would be gratefully received!

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Posthuman pedagogy task: Exopedagogy

I took my lead in thinking about posthuman pedagogy from considering Hayles’s critique of anthropocentrism and Pederson’s critques of, firstly, the ‘”humanist” tradition, where the human subject is considered both the instrument and the end product of education’, and, secondly, the ‘distinct human-animal boundary’. On the instrumental level, as Pederson points out, we might consider animal-assisted therapy. However, what I felt was more problematic was to consider notions of education without the human subject as the end product. This might mean learning that does not recognise humans as being esclusively able to learn in what we consider to be a ‘human way’ because there is a biological continuum from human to animal; for instance to be seen in research into animal language, originally expounded on in LaMettrie’s views on teaching apes to talk, but now carried on in reserch into animal communication.

However, thinking about breaking down the ‘distinct human-animal boundary’ and where that was part of our imaginings of what it is, or is not, to be human, I came to think of firstly monsters, both biological and technological and often a cross-over between human and animal, and secondly the monstrous or other-worldly. On searching on the monstrous and pedagogy, I found Tyson E. Lewis and Richard Khan’s book ‘Education out of bounds: reimagining cultural studies for a Posthuman Age’ and a number of other exopedagogic studies or commentaries, mostly linking back to Lewis and Khan. Exopedagogy, exo- meaning on the outside, and its pertinency to learning, is touched on in a medieval studies group blog, In the Middle, that quotes from Lewis and Khan’s book:

Here the prefix “exo” designates the beyond, an education out of bounds, whose location resides at the very limits of the recognizable – where we learn to study the zone of unin habitability that indicates the untimely arrival of a swarm of monsters and strangers. It is, in other words, a pedagogy that concerns the sudden appearnce of “strange facts” (Daston and Park 2001) that exist beynd the field of common sense. If monsters have traditionally been banned from philosophy as dangerous obstructions to be sacrificed or as mere illusions (Kearney 2003), then so too had education more often than not been involved in projects that (a) repress the monstrous within or (b) project the monstrous onto the outside world…Exopedagogy helps us navigate the various narrative of the monstrous emerging from our state of phantasmagoria – reactionary monsters, commodified monsters, and creative/constituting monsters. At its best, exopedagogy utilizes the bestiary in order to intensify the savage and zoomorphic vectors of a radical imagination beyond the law of the community (the sacrificial strategy), the law of capitalism (the expropriation of surplus -value), and the law of the human (the anthropocentric valorization of human creative power, linguistic production, and cognitive capacity). In this sense, exopedagogy is both savagely critical and creatively posthuman – producing new political narratives emerging from seemingly uninhabitable terrains. (Lewis and Khan)

The blogger indicates that the book would be of us to those interested in monsters and/or the posthuman and that is, for me, the interest in the exopedagogic approach. Lewis and Khan’s book does talk of monsters faeries and the like, but the exopedagogic approach is not merely one of subject. The monstrous was first of all of interest to me through Victorian studies, considering cultural phenomena such as freak shows, Ripley’s Believe it or Not, but also, in and beyond Victorian studies, to look at representations of sexuality or otherness as monstrous, such as in Dr Jekyll and Mr Hyde, surely a text for posthumanist study?  And the study of the monstrous could also be extended to the strange, the other, the borderline, the cyborg and so on. Given the usage of the word monstrous in relation to women, ever since John Knox’s ‘The first blast of the trumpet against the monstrous regimen of women,’ one can also often identify the critique of the monstrous with aspects of women’s and feminist studies. for instance in some readings of Mary Shelley’s Frankenstein. However, the importance of the matter is what it tells us about meaning and about the exopedagogic approach. The expopedagogic does not put man at the centre but rather suggests that we look at the borders and the edges, at the strange and the different, or even make the familiar unfamilar. The blogger’s following comment suggests a pedagogic approach that matches with Sian Bayne’s work on the uncanny within learning:

What’s most challenging of all, though, is [Lewis and Khan's] call to make teaching spaces — not just classrooms, but public spaces — zones for uncanny happenings, affective communal undertakings, uncomfortable becomings, and the intensification of the “savage and zoomorphic” imagination.

Lewis and Khan’s suggestion that exopedagogy use ‘the bestiary’ to disrupt the norms of society, law and pedagogy takes us beyond only looking at ‘monstrous’ subjects to consider the learner as zoomorphic, able to understand and learn through questioning what the human is. An excellent example of this is a friend’s Moodle course which combines both matter and meaning, a demo version of which is to be found here - Out of the Digital Dungeon: exploring gender and technology in Sci Fi, Fantasy and Horror Films.

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Weeks 11 and 12: the home straight!

Welcome to the final stage of the course! The posthuman pedagogy tasks are arriving thick and fast, and looking fantastic. We are now starting the final period of assignment preparation.

Therefore, there are no structured tasks for the next two weeks – rather, this is time to get ideas in place for your final assignment and to get feedback and input from the group in doing so, if it’s useful to you. Blogging about your ideas for the digital essay is a great way to prompt feedback from your peers. Your tutors have been in touch individually about assignment plans, so please continue to use us as sounding boards too, if helpful.

As well as continuing to think about the assignment (due Sunday 8th January), you’ll need to take a bit of time next week to review and edit your lifestream before 11th December. The detail of what to do for this is up on the ‘lifestream submission’ page. Please seek clarification on any of this information with your tutor if needs be.

There are still a few ‘posthuman pedagogy’ tasks to come in, so please comment on the ‘all ideas in one place page‘ and we will add them to the list.

It has been a thoroughly enjoyable semester, but it is certainly not over yet! Getting the assignments underway is an exciting time, and I look forward to some stimulating conversations around assessment ideas. So please do share your thoughts with the group!

Finisher - 42/52
Creative Commons License photo credit: Phil Roeder

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Posthuman Pedagogy

As I am learning to speak Hungarian I thought I’d use this for the posthuman pedagogy task. I’ve spent a week or two in Hungary these last couple of summers.   Total immersion is probably the best way to go;  surrounded by sounds, words and local voices. And as few speak English being ’forced’ to try the language definitely works for me. However, the reality is that I have to be a distance learner. For me to learn I need to read and hear at the same time – I can’t just listen.  By the end of the course I want the skills of reading, writing and speaking. It’s also important for me to go at my own pace.  I’ll probably want to re-do earlier chapters before moving on. These are some of my requirements before I went looking for a course.

To find a suitable course I searched on the Internet and also asked friends.   I finally chose the Complete Hungarian by Zsuzsa Pontifexwhich was recommended by a friend who had done a lot of research before making the choice so I benefitted from that. I actually bought the book and CDs when in Budapest but the author does run online courses. Zsuzsa is a native Hungarian who taught for a time  in Britain so has a very good understanding of the difficulties Hungarian poses for English speakers.    I like the way the lessons the lessons are set up; how the chapters are broken down; exercises given; words and phrases reinforced; and conversations given at normal speed (which is way too fast for me at present). I have to do a lot of travelling to and from schools this year so listening to the CDs is a great way to use the time.

There is also a BBC site that I use to help reinforce phrases which I have the opportunity to download onto mp3,  so I can listen on my iPod should I so wish.  I also like that this site displays soundwaves as I find it helps with pronunciation.

A native Hungarian recommended that I also watch videos by an Australian who speaks Hungarian.  He is known as Ausztrál Tom and is very popular in Hungary partly because he introduces slang terms as well as a little Australian culture. He doesn’t appear to have produced any new videos recently, these are a year old. I find it helpful listening to a non-native speaker and he’s entertaining.

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Of course there is so much more I can do to enhance my learning experience. To really get into the feel for the country I can take a virtual tour.  Budapest is a beautiful city, lots of history, culture, and wonderful architecture. I can book flights, check out train and shuttle times, find maps and information to other cities, all online.  And to find out what’s going on before visiting the city, this site will inform what’s happening locally: http://www.pestiside.hu

It’s great having these technologies at my disposal to use when, where and how I decide.  Learning Hungarian is enjoyable (mostly) and it’s a challenge I have set myself although in order to progress I will rely on friends and native Hungarian speakers to encourage and correct my usage.

 

 

 

 

 

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